NINETEENTH-CENTURY
CONTEXTS
Volume 21, Number 1, 1999
CONTENTS
Articles
Pater, Mill, Mansel and the Context
of the Conclusion to The Renaissance
J. B. Bullen
The Critic as Patron: Ruskin's Production
of Britain's 'Modern Painters'
Andrew Leng
Brancusi's Gates and Columns: Nineteenth-Century
Rites of Passage in Twentieth-Century Art and Architecture
Dragos Gheorghiu
The "Eastern-Woman Question":
Martineau and Nightengale Visit the Harem
Jill Matus
Wordsworthian Dystopia: The Spatial
Play of Salisbury Plain
Mike Wiley
Signatures of Blood in William Wells
Brown's Clotel
Adélékè
Adéèkó
Reviews
John Beer, ed. Questioning Romanticism
[Robert F. Gleckner]
Nina Auerbach, Our Vampires,
Ourselves
[Richard A. Kaye]
Daniel P. Watkins, Sexual
Power in British Romantic Poetry
[Kathryn Freeman]
Daniel
A. Cohen, Pillars of Salt, Monuments of Grace: New England Crime Literature
and the Origins of American Popular Culture, 1674-!860
[Rosalind Remer]