in whose light it is possible to reduce the ambiguity of concrete incidents to their intended allegorical content. Through medieval interpretations of Dante's sources, Marc Cogan discovers a single consistent moral and theological principle organizing each of the sections of the poem and its overall narrative. He argues that, using one common principle, Dante brings the separate allegories of the Inferno, Purgatorio, and Paradiso together into one great allegory, making the transformation of the principle into an ordered set of variations on the theme of love and its representation in human beings as the image of God. This allegory, he points out, provides a meditation on the nature of God and the capacities of human beings.
The Design in the Wax is a thought-provoking tool for all students of the Divine Comedy interested in studying Dante's calculated use of poetry to overcome the limits of human understanding.
Table of Contents
INTRODUCTION
INFERNO
Part I: The Principle of the Structure of Hell
Part II: The Poetic Application of the Structure of Hell
PURGATORIO
Part I: Purgatory in the Light of Sin
Part II: Purgaotry inthe Light of Heaven
PARADISO
Part I: The Order of the Paradiso
Part II: The Source of the Order of the Paradiso
Part III: The Meaning of the Order of Paradiso
Part IV: The Order of the Paradiso in the Context of the Commedia
CONCLUSION: UNDERSTANDING, DESIRE, POETRY
APPENDIX 1: Two Matters from the Inferno
APPENDIX 2: The Antepurgatory
APPENDIX 3: Associating Persons of the Trinity with the Angelic Order
MARC COGAN is Associate Professor in the Department of Humanities at Wayne State University in Detroit. He is the author of The Human Thing: The Speeches and Principles of Thucydides' History.
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