Engineering: True Hollywood
Story
Allen Hemberger’s dual major (computer engineering and art
design) prepared him to be able to translate natural phenomena into
mathematics and write software programs that could generate a sequence
of images resembling the “real thing.” In addition to
working on
Jonah: A VeggieTales Movie, The Matrix Reloaded,
The Matrix Revolutions, The Lady Killers, Catwoman, and X-Men:
The Last Stand, Hemberger was
part of the Oscar-winning visual effects team for King Kong.
After sitting spellbound for two hours in a crowded theater as amazing
special effects flash across the screen bringing fantastic stories
to life, how many people leave the building saying, “Wow, did
you see the engineering in that movie?” The truth is that without
engineering — or at least without one Notre Dame engineer — the
special effects audiences loved in some recent high-profile movies
may have looked a little less fantastic than they did.
Allen Hemberger, who graduated in 2001 with a dual major in computer engineering and
art design, began his career in computer animation at Big Idea, Inc.,
in Chicago, the company responsible for VeggieTales. After that, he
moved to San Francisco to work at ESC Entertainment on the Matrix films,
Catwoman, and The Ladykillers. He then took a short break from the
special effects business to teach courses in visual effects at the
University. “Actually, I was laid off,” says
Hemberger. “It’s the nature of the industry, one of those not-so-fun
parts of the job, because you are usually hired ‘per project.’ After
a few years working in the business, you end up with friends all over the globe
at every studio in the world. Then when a given project ends, you e-mail your
buddies and make your next move.”
Most recently,
Hemberger finished work as technical director on Eragon, which was
released late last year, and will soon begin working as technical director
on the film Fantastic Four: Rise of the Silver Surfer.
He was on
campus in December 2006 to present a talk to students titled “Superheroes
Need Pants: Adventures in Visual Effects for Film,” during which he discussed
some of the effects he has produced and how his dual background in engineering
and art helped him accomplish them.
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